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"Komarin holds no apparent hierarchies. The first mark is as important, and as unimportant as the last. Each new element added either remains on top or eventually gets partially buried into the cumulative richness of the surface. The complexities of shape, line, field, surface are sustained miraculously from painting to painting by a remarkably consistent integrated working method that embraces a perpetually shifting focus and validates every nuance of the process, but favors none."
from Steven Alexander's essays on art.
1 comment:
oh. my. i want to both be that black spot and pretend it does not exist.
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